Having these works dotted around the Square Mile is enormously positive for the people who work or live here. Everyone, regardless of whether or not they are modern art lovers, appreciates being in a changing environment. The sculptures make us look and think differently about the everyday world around us, which is very stimulating. Also being exposed to art is proven to improve our sense of wellbeing and creativity. So hopefully we will feel, as well as work better.
Robert Read, Hiscox Head of Art and Private Clients
Sculpture in the City delivers an annual urban sculpture park and an associated education programme. This innovative cultural programme is delivered by the City of London in partnership with local businesses combining corporate and public values and priorities. The project is located within the insurance district of the Square Mile, surrounded by the iconic towers that define the area and inform the high quality nature of the project and associated programmes. The historic churches nestled amongst them also inform the sensitivity and contextual awareness required to deliver a sophisticated programme which reflects this complex and exciting part of London. Click here to visit the official Sculpture in the City website.
Lacuna was first commissioned by the City of London Planning department in November 2010 following consultation with local businesses in the Eastern City Cluster. The key message during this consultation was that local stakeholders were keen to see contemporary sculpture installed to humanize and enliven this area of high architectural quality. This was to begin with one sculpture in the centre of the tall buildings cluster around Great St Helen’s and delivering a series of community events within a limited budget.
“Stella has a unique aptitude to bring together a variety of businesses and sectors together for a common goal, such as the arts and culture initiatives Brookfield support as a result of her tenacity and foresight. Her capacity to create something special in an ordinary, everyday environment is spectacular and her ability to stretch the funds at her disposal is almost astonishing. The City of London and all those who and live and work in it have much to thank Stella for. “
Carlin Fier, Brookfield Office Properties
In its first year Sculpture in the City had far exceeded the original brief installing, instead of one, four major artworks: Sky Mirror by Anish Kapoor, Garden Pouf by Franz West (which had never been seen in public before), Three Men Walking by Julian Opie and Screen with Folded Arms by Kenneth Armitage. These works were on loan from the artists and galleries for a 6-12 month period with the project funding covering the costs of delivering and maintaining the artwork on site. There was also a community weekend delivered by the Big Draw as part of the City of London Festival entitled Take a Closer Look. Crucial to this early success was securing partnerships with three local businesses: Hiscox, British Land and Aviva.
The success of the project in the first year informed the level of ambition moving forward. The project continued its growth in 2012 with 7 artworks installed in the area including works by Tracey Emin, Yayoi Kusama and a brand new work made specifically for the site chosen by Dan Graham. Two further local businesses also joined the group of Partners.
As an artist, I enjoyed the process of placing the sculpture on that site with its relationship with the building and nature. I think Sculpture in the City is special that it helps the public deal with art in the built environment . It is a great opportunity and challenge for the artist and as your programme changes with every year it helps to create new debates. Many people do not visit galleries or museums but everyone passes through the City. The encounter with the works of art becomes part of their journey and I hope the public appreciate it and that they pause to wonder for a moment in passing…
Shirazeh Houshiary, Artist
Artists shown to date (click on bold names for interviews with the artists):
2011: Anish Kapoor, Julian Opie, Kenneth Armitage, Franz West
2012: Tracey Emin, Michael Craig-Martin, Angus Fairhurst, Julian Opie, Dan Graham, Thomas Houseago, Yayoi Kusama
2013: Jake & Dinos Chapman, Robert Indiana, Ryan Gander, Jim Lambie, Shirazeh Houshiary, Richard Wentworth, Antony Gormley
2014: Lynn Chadwick, Jim Lambie, Julian Wild, Paul Hosking, Richard Wentworth, Joao Onofre, Ben Long, Nigel Hall, Cerith Wyn-Evans
2015: Kris Martin, Laura Ford, Adam Chodzko, Folkert de Jong, Xavier Vielhan, Sigalit Landau, Ekkehard Altenburger, Tomoaki Suzuki, Keita Miyazaki, Ai Weiwei, Damien Hirst, Bruce Beasley, Shan Hur
2016: Gavin Turk, William Kentridge & Gerhard Marx, Lizi Sanchez, Ugo Rondinone, Recycle Group, Jurgen Partenheimer, Huma Bhabha, Anthony Caro, Michael Lyons, Benedetto Pietromarchi, Enrico David, Mat Collishaw, Jaume Plensa, Giuseppe Penone, Petroc Sesti, Sarah Lucas, Shan Hur
2017: Daniel Buren, Fernando Casasempere, Martin Creed, Ryan Gander, Damien Hirst, Kevin Killen, Paul McCarthy, Nathaniel Rackowe, Peter Randall-Page RA, Recycle Group, Bosco Sodi, Karen Tang, Gavin Turk, Mhairi Vari, Mark Wallinger, Gary Webb
2018: David Annesley, Do Ho Suh, Richard Rome, Marina Abramović, Jean-Luc Moulène, Nancy Rubins, Jyll Bradley, Thomas J Price, Sean Scully, Sarah Lucas, Shaun C. Badham, Amanda Lwin, Miroslav Balka, Karen Tang, Juliana Cerqueira-Leite, Clare Jarrett, Tracey Emin, Gabriel Lester, and Michail Pirgelis
2019: Reza Aramesh, Salvatore Arancio, Elisa Artesero, Shaun C. Badham, Jyll Bradley, Nathan Coley, Marisa Ferreira, Leo Fitzmaurice, Kevin Francis Gray, Clare Jarrett, Juliana Cerqueira Leite, Michael Lyons, Nancy Rubins, Nina Saunders, Jennifer Steinkamp, Do Ho Suh, Jonathan Trayte, Patrick Tuttofuoco and Lawrence Weiner
In 2019, Sculpture in the City is being delivered by the City of London in partnership with: Aon, Aviva, Beaumont, Bloomberg, British Land, Brookfield Properties, CC Land, Hiscox, London & Oriental, Nuveen Real Estate, Tenacity, Tower 42 and 22 Bishopsgate.
Working with Stella Ioannou is a delight. She has done amazing things with Sculpture in the City; organising and placing a large variety of important sculptures around the City of London, each year. The sculpture Aurora by Anthony Caro was positioned outside Willis Tower Watson and the Lloyds Building. We lent it to her and it looks tremendous there. Her work has benefited both Art and the City.
Paul Caro, Barford Sculptures
The artworks are now secured through an open call managed by Lacuna and shortlisted by the Arts Advisory Board of Robert Hiscox (Chairman of Hiscox), Whitney Hintz (Curator Hiscox), Iwona Blazwick (Director Whitechapel Gallery), Jane Alison (Head of Galleries Barbican Art Centre), Wendy Fisher (Arts Patron), Stephen Feeke (Director NewArtCentre Roche Court), Andrea Schlieker, Director of Exhibitions and Displays at Tate Britain, Gavin Turk, Guest Artist. The Arts Advisory Board to which Lacuna presents the submissions was established in 2015 to ensure that the selection of artworks were of high artistic and curatorial value. In addition, Lacuna presents the shortlisted artworks to the City Arts Initiative, which reviews all public art projects proposed to the City of London.
Stella’s approach to delivering the most challenging cultural and art related events and exhibitions has enabled the realisation of truly significant contributions to life in London. The ability to read the client’s needs and to support them in their role, makes all the difference in delivering challenging programmes. Stella is to be particularly commended for her attention to detail and impressive curatorial and coordinating skills across a range of partners and stakeholders.
Victor Callister, Deputy Director of Architecture & Built Environment, Design Council
Musicity x Sculpture in the City
Alongside the core Sculpture in the City eighth edition, in 2018 Lacuna introduced a brand new programme, Musicity x Sculpture in the City. The programme comprises music tracks that have been inspired by the architecture of the Sculpture in the City sites and can be enjoyed in the very places that inspired their creation. This added to the digital transformation of Sculpture in the City by enlivening ten sites from Aldgate to Shoreditch to Leadenhall Market and St. Botolph’s-without-Bishopsgate. These ten newly commissioned audio tracks, ranging from modern classical and electronic to globally inspired soundscapes, included new site-specific work by Sarathy Korwar, Midori Komachi, Bambooman and Angele David-Guillou. Musicity x Sculpture in the City launched on 21st July 2018 during the first edition of Nocturnal Creatures.
To celebrate the addition of a new site for the ninth edition of Sculpture in the City at 70 St Mary Axe, the legendary DJ Mixmaster Morris created a new track for the Musicity x Sculpture in the City programme which he launched during the second edition of Nocturnal Creatures in July 2019.
All 11 tracks are live for visitors to enjoy as part of the programme’s legacy. These tracks are available 24/7 simply by using headphones and connecting a handheld device to the Musicity webapp.
From the inception of the project it was very important that we were engaging with the local community by delivering a series of community events which encouraged young people and families to engage with the project and by extension the City of London. The highly ambitious educational and community programme has developed over the years and it is now delivered in partnership with Urban Learners.
Since 2012, 1,730 students have attended a total of 227 workshops. Artists, architects and partner company volunteers help with these workshops, offering their expertise and experience. The workshops explore the project’s public spaces and neighbouring buildings, before and after the sculptures are installed, and help the students creatively respond to these public spaces, the architecture and the sculptures.
This extensive educational programme is a significant element of the overall programme benefiting students aged 10-14 years old from neighbouring borough schools. These schools have students from under-represented communities, many of whom have never visited the City before and/or are unlikely to consider the City, art or the built environment as career and cultural pathway options. The students discover new places in the City and learn about the value of public art.
I have had the pleasure of working with Stella for over a decade and more recently with Open City delivering the education programme for Sculpture in the City. Stella has a thorough understanding of the City; what it represents and what it requires and has worked hard to dispel the myth of the ‘Fortress City’. She understands the importance of engaging the local workers but also children from schools in the nearby boroughs who are provided real opportunities to be inspired and aspire to extend their boundaries. The education programme makes sure children do not think that the City is only for City businesses but that they are welcome and perhaps one day they could also work there.
Victoria Thornton, Open City